In 1874 Modest Mussorgsky composed a suite of piano pieces called ‘Pictures at an Exhibition’, each piece depicting the pictures viewed by a visitor to an art gallery. In 1922 Maurice Ravel rearranged the suite for full orchestra. Today, it is this latter version that is best known.

Ravel’s arrangement is extremely imaginative, showing off his genius for orchestration and making explicit those things that could only be implied in the original piano work.

The brilliance, colour and imagination of the orchestration, however, obscure some of the valuable characteristics of the original.

The piano version is very virtuosic. You can see and hear the pianist struggling with some of the passages. This makes listening to a performance of it a very physical, visceral experience. The seemingly effortless brilliance of the orchestral version loses this aspect.

Also, the suite was written in memory of a recently deceased friend of Mussorgsky’s, the architect Viktor Hartmann. Arguably, the personal nature of Mussorgsky's grief is expressed best through the intimate medium of the solo piano, rather than the very public arena of an orchestral performance.

Sometimes clearing away the rearrangements and modifications that occur over time can reveal original features of initially underrated or even forgotten value.

When you next want to improve a process, or find yourself having to address a problem that has arisen in a previously trouble free area, peel back the changes that have occurred over time and have a good, detailed look at the original.

Have various rearrangements and modifications obscured valuable aspects? Could refocusing attention upon these bolster the foundations of a tottering process or re – energise it with a clearer, rediscovered understanding of its purpose and usefulness?

To hear the original piano version of 'Pictures at an Exhibition' click Here.

To hear the Ravel orchestration of 'Pictures at an Exhibition click Here. (The section played by the pianist starts about 3 or 4 minutes into the video). 

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